Introducing Beautification Signature, a handwritten font which is very elegant and modern and for you to use may your design interests be in logos, branding names, posters, podcasts and so on. This is perfect for you all. Featuring upper- and lowercase, numbers and punctuation, multi-lingual support and ligatures.
There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.
Now just read this, go there and make it happen.
Thursday, January 16, 2020
Download Beautification Font Family From Arendxstudio
Download Loutters Font Family From Atom
Loutters, handwriting that really stands out and attracts attention. With a fast and textured sweep style, Loutters is very easy to use for various design needs such as logos, brands, packaging, book titles and more, and is suitable for use in any background image.
Download Muctar Font Family From Jorsetype
Muctar is a bold brush signature script. It can be used for various purposes such as headings, logos, wedding invitation, t-shirt, letterhead, labels, posters, badges and more.
Muctar features Contextual Alternates, Standart ligatures, Stylistic Alternates and Stylistic sets.
Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages that are based on latin alphabet.
To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
Download Love Santa Font Family From Illushvara
Love Santa merges a classic sans serif font with beautiful Christmas ornaments, creating a one-of-a-kind holiday font! Add some jolly Christmas vibes to any design project with this festive font.
If you have any question, don’t hesitate to contact me by email or send me massage.
Happy designing.
Download Al Valenciaga Font Family From Aluyeah Studio
Al Valenciaga is a strong display font. Valenciaga is a fully-kerned titlecase display typeface built for strong design vibes. Valenciaga is raw and uncut with sharp terminals and serifs that give off an aggressive appearance. The difference in depth between the uppercase and lowercase, making Valenciaga very suitable to be the display font for your product packaging, logo, branding, and more!
This typeface features 180+ characters with some language adaption that is guaranteed to give your project a competitive edge.
Thanks for checking out Al Valenciaga. I really hope you enjoy using it.
If you have any questions I'd be more than happy to answer them, just send me a message.
Download DeLumary Font Family From FadeLine Studio
DeLumary is a new unique and funny display font. This font adopts a bold, cute, firm, and trendy style. Very suitable to meet your various design needs that are trending now.
With a style like this, this font will be suitable in use for comics, logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.
Download Heller Sans JNL Font Family From Jeff Levine
Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font.
In his own words, here is the background to this typeface:
“I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B.
I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense.
I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor.
I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.”
Heller Sans JNL is available in both regular and oblique versions.
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