Fellbaum Grotesk is a condensed typeface with both grotesque and cursive/humanist attributes.
Fellbaum Grotesk Regular presents a clean, “grotesk” exterior, while the Italic version features faint slab-style flourishes. These characteristics, combined with a subtle stroke contrast and slightly extended x-height make for a distinct, and artisanal appearance.
These fonts were inspired by the condensed & sterile, yet quirky, sans serifs found on a lot of vintage apothecary labels & municipal street signage.
Both fonts in this family are modest enough to work as secondary fonts, but also sport enough character to work as a primary sans face for wordmarks, logos, headers, etc.
OpenType Features (OT Software Required):
• Small Caps
• Fractions
• Numerators/Denominators
• Case-Sensitive Punctuation
• Stylistic Alternates
• Ligatures
• Old Style / Lining Figures
• Circled Numerals
• Ordinals
Adobe CE Language Support, Regular & Italic, OpenType Features, Classic Design
For some nice pairing options with VTC Fellbaum Grotesk, try out VTC Bloke, or VTC Horoscope.
Friday, January 31, 2020
Download VTC Fellbaum Grotesk Font Family From Vintage Type Company
Download Asteric Vintage Font Family From BlackLotus
Asteric Vintage is a retro-vintage font family with an amazing set of ornaments. It comes in 3 different styles: Regular, Rough, Display, and also presents 26 beautiful and luxurious ornaments . The Rough Style has a characteristic that resembles rust on each character, thus creating results that seem strong and hard. The Display Style is very suitable for display, every work created with it becomes luxurious, wrapped in a classic atmosphere. The Regular Style is a style that has a clean character but still carries a classic scent that is thick and unique. This style is very suitable for use in magazines, books, newspapers, etc.
Download Omelette Script Font Family From RezaDesign
Introducing a new bold script font with sleek and clean look. Omelette Script is crafted with minimal anchor points to keep it ergonomic and very clean. Omelette is a font that you can be used to make a logo for branding, typography design, magazines or book covers, website headers, product packaging, invitations, quotes, t-shirt design, label poster and more. Features : - Comes with 213 Glyphs - Multilingual Language - Works on PC & Mac - Simple installations - PUA Encoded - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.
Download Riacho Font Family From SullivanStudio
Riacho is a Portuguese word for “creek”. It evokes movement and tranquility. It was in this spirit that I created Riacho: I wanted a typeface that would bring the industrial dynamism of a sans serif while passing the informality and trust of an old friend. Riacho is completely handmade, stylus-designed, with a rational, objective attitude.
Riacho is sans, but its capital letters are serif. The kerning is rigorous, and the ligatures are reduced to the essentials without distractions. The font features a subtly emotive handwriting, which makes it ideal for editorial material for children and young people.
Poems, love letters, food recipes ... everything that is about feelings and sensations looks fresh and elegant dressed in Riacho!
Riacho, for its friendly sobriety, also looks (and prints) great with scientific texts. Mathematical equations typeset in LaTeX / XeTeX systems have never looked so good, not only on PowerPoint/beamer/OpenOffice slides but also on paper. Riacho's x-height is similar to Times Roman and Computer Modern fonts, so typesetting professional equations with both glyph sets together flows naturally (please refer to gallery image #7 for a XeTeX example of a Riacho/Computer Modern combination).
Each Riacho font file contains 926 glyphs (7408 in the whole family, 8 fonts), including polytonic Greek (please refer to gallery image #9) . For best results on screen display (PDFs, presentations, movies), the Semibold subfamily is recommended.
Download Peanut Slap Font Family From PizzaDude.dk
I love peanuts! Actually I eat peanuts every day, in the shape of Peanut Butter ... and it kind of slaps me in the face with energy and good taste! What a good way to start the day! The same thing could fit to this font: a good way to start your day is with a good design ... using my Peanut Slap font: Mix the 3 versions with your favourite colorscheme, play around with the transparency...and voila! Great results awaits you!
Download Typist Slab Font Family From VanderKeur
The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced.
Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied.
In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q.
This new typeface lacks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).
Download Perspective Sans Font Family From Bülent Yüksel
The font primarily had a strong body. Family has a four layered experience. All and in harmony.
This font has a strong personality, that makes it perfect for use in headline sizes. Also use for print, motion graphics, logo design, packaging design, t-shirts and more.
By using layers, you can design different colors and sizes by repositioning lights and shadows. This will allow you to take your designs to the next level.
Using this unique font, you'll have a lot of fun and produce beautiful materials.
You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.
There is nothing as satisfying as to do a good quality and properly job.
You can enjoy using it.
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